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Showing posts with label sothebys. Show all posts
Showing posts with label sothebys. Show all posts
Sunday, June 5, 2011
Art Litigation: Second Circuit Finds No "Innocent Owner" Defense To National Stolen Property Act Seizure
In U.S. v. Davis and The Painting Known as "Le Marche" by Camille Pissarro, 2011 WL 2162897 (June 3, 2011), the Second Circuit rejected the "innocent owner" defense to a civil forfeiture action brought by Customs to enforce the National Stolen Property Act. The monotype was stolen from the Musee Faure in Aix-Les-Bains in France on November 1981. Once the government established probable cause that the painting was stolen, the burden of proof shifted to the possessor of the artwork to show that it was not stolen. The work was consigned for sale to Sotheby's, where it was seen by the French police, who notified customs.
Decision below.
US v Davis, The Painting Known as Le March by Camille Pissarro
http://www.dunnington.com/rdowd_bio.html
Purchase Copyright Litigation Handbook 2010 by Raymond J. Dowd from West here
Tuesday, June 1, 2010
Nazi Looted Art Panel: Dutch Have "Moral Obligation" To Steal 2/3 of Christian Painting from Jews
Les Très Riches Heures du duc de Berry, Folio 147r - The Road to Calvary the Musée Condé, Chantilly (courtesy Wikipedia - not the painting in dispute)
The Dutch celebrated Memorial Day by making sure that the dirty work done by the Nazis of stealing from Jews was profitable for Dutch citizens - basically spitting on the graves of those soldiers who fought against Nazism.
Rather than make restitution of an artwork stolen from the Oppenheimer family, the Dutch have decided that the people who got it through a Nazi forced auction should pocket 2/3 of the proceeds. This is disgusting and should be condemned.
The press release below:
PRESS RELEASE
The Hague, 31 May 2010
BINDING ADVICE ON DISPUTE OVER THE PAINTING ROAD TO CALVARY
THE HAGUE – The Restitutions Committee has issued binding advice concerning the dispute over the division of proceeds from the sale of a privately owned painting, Road to Calvary, Brunswijker Monogrammist (16th century).
The painting Road to Calvary was taken from the possession of the Jewish Oppenheimer family 75 years ago at an enforced auction in Nazi Germany. The current owner is a Dutch private individual who wants to sell the artwork. The parties were divided over how much of the sale proceeds would come to the Oppenheimer family. In its binding recommendation, the Restitutions Committee has now concluded that in the event of a sale, the current owner should relinquish one third of the net proceeds to the Oppenheimer family.
The Committee was able to establish that husband and wife Jakob and Rosa Oppenheimer involuntarily lost possession of the painting during the Nazi regime, at what was known as a Judenauktion (Jewish auction) at an auction house in Berlin in 1935. The current applicants on the part of the Oppenheimer family are all grandchildren of Jakob and Rosa Oppenheimer. The family discovered the location of Road to Calvary in 2006 after a report by Sotheby’s auction house in Amsterdam, where it had been taken to be valued.
The current owner came into possession of the painting as a result of inheritance from her father, who died in 1999. Her father probably bought the painting at a jumble sale or fair in the province of Noord-Holland in the period between 1985 and 1995 for the approximate sum of one hundred guilders. The art work has recently been valued at €80,000. The current owner wants to sell the painting Road to Calvary, but the parties could not agree on the division of any sale proceeds, which is why they requested that the Restitutions Committee issue a binding recommendation. The Committee concluded that in the special circumstances of this case, according to the standards of reasonableness and fairness, the current owner’s share should be twice that of the Oppenheimer family. According to this recommendation, in the event of a sale, a one third share of the net proceeds should be relinquished to the Oppenheimer family. This conclusion reflects that the current owner’s right of ownership is beyond all doubt and, all Press release on Restitutions Committee binding advice RC 3.95 2 in all, carries the most weight in this case. At the same time, the ownership of Road to Calvary as a looted work of art has brought forth a moral obligation towards the Oppenheimer family.
The Restitutions Committee
Since January 2002, the Restitutions Committee has provided recommendations to the
Minister for Education, Culture and Science regarding claims to items of cultural value in
the possession of the national government. In addition, the Committee can also issue
binding recommendations concerning disputes between two parties over an item of
cultural value not in the possession of the national government. Such advice is given on
the basis of what is ‘reasonable and fair’. Use the following link to access the complete
version of the recommendation in this case (RC 3.95), which can be found on the
Committee’s website:
http://www.restitutiecommissie.nl/en/rc_3.95/bindend_advies_rc_3.95.html.
More information:
For more information, please contact Evelien Campfens, secretary/rapporteur of the
Restitutions Committee on +31(0)70 376 59 92.
Purchase Copyright Litigation Handbook from West here
Tuesday, May 4, 2010
Request for Information on Egon Schiele's SEMI-NUDE BLOND GIRL WITH BLUE SHIRT AND BLUE HEADBAND
1. According to Jane Kallir's catalogue raisonne Egon Schiele: The Complete Works (Abrams 1998), this work was in an Antiquariat Steinbach sales catalogue in Vienna in 1960. We have not been able to ascertain who put this work up for sale, whether it was sold, and if so, who bought it.
2. We have not been able to ascertain the first name or the address of "Glowacki", the reported consignor of the artwork to Klipstein & Kornfeld for the 1963 auction.
3. We have contacted Sotheby's and have been informed by Sotheby's counsel John Cahill that they are actively researching these questions.
Any information that can be provided on the pre-1963 provenance of this artwork would be greatly appreciated.
An excerpt from the Sotheby's catalog found here.
Impressionist & Modern Art Evening Sale
New York
5 May 2010, 7:00 PM
N08633
LOT 6 PROPERTY FROM A PRIVATE COLLECTION
EGON SCHIELE 1890 – 1918
BLONDER MÄDCHENHALBAKT MIT BLAUEM HEMD UND BLAUEM HAARBAND (SEMI-NUDE BLOND GIRL WITH BLUE SHIRT AND BLUE HEADBAND)
Signed Egon Schiele and dated 1913 (lower right)
Gouache, watercolor, and pencil on paper
18 7/8 by 12 5/8 in.
48 by 32 cm
Executed in 1913.
ESTIMATE 700,000 - 1,000,000 USD
PROVENANCE
Glowacki (sold: Klipstein &Kornfeld, Bern, May 11, 1963, lot 995)
Rudolf Leopold, Vienna
Serge Sabarsky, New York
Saidenberg Gallery, New York
Gift of the above to the present owner
EXHIBITION
Vienna, Antiquariat Steinbach, circa 1960, no. 4
London, Marlborough Fine Art, Egon Schiele: Paintings, Watercolors and Drawings, 1964, no. 64
LITERATURE
Jane Kallir, Egon Schiele, The Complete Works, New York, 1998, no. 1286, illustrated p. 498
Wednesday, February 3, 2010
Egon Schiele's Dead City: Current Issues In Nazi Art Looting and Recovery
Egon Schiele's Dead City III, from the collection of Fritz Grunbaum when he was arrested by the Gestapo in 1938 and then died penniless in Dachau, currently at the Leopold Museum in Vienna, Austria
NYSBA Sections: Entertainment, Arts & Sports and Law (EASL) Section Events
http://www.nysba.org/
Egon Schiele's Dead City: Current Issues In Nazi Art Looting and Recovery
March 24, 2010
6:00 to 8:00 p.m.
Sotheby's Institute of Art
570 Lexington Ave., NYC
1.5 MCLE credits in Professional Practice
Register online > www.nysba.org/deadcity
SEATING IS LIMITED PLEASE REGISTER EARLY
Speaker:
Raymond Dowd, Esq.
Dunnington, Bartholow & Miller LLP
Sponsored by the Entertainment, Arts & Sports Law Section's Committee on Fine Arts
Program Description:
In 1998, Manhattan District Attorney Robert Morgenthau seized Egon Schiele's Dead City and Portrait of Wally at the Museum of Modern Art, creating a scandal that changed the legal landscape of Europe and the United States for victims of Nazi persecution and their survivors. Ray Dowd represents the heirs of Fritz Grunbaum, a Jewish cabaret performer murdered in the Dachau Concentration Camp. Fritz's wife Lily died in the Minsk Death Camp. Grunbaum's art collection surfaced in Switzerland in 1956 under disputed circumstances, and in the first Holocaust-era art recovery trial in U.S. history, Bakalar v. Vavra, the District Court found that passing the artwork through Switzerland gave it clean title. The case is now on appeal to the Second Circuit. This presentation will cover the legal and evidentiary obstacles to litigating Holocaust-era expropriation and provide legal practitioners with basic tools to assemble evidence and prove Nazi property looting.
Pricing:
$25.00 for Members
$35.00 for non-members
$15.00 for students
For more information contact: Carolyn Clayton at 518-487-5596 or cclayton@nysba.org
Register online > www.nysba.org/deadcity
Go to http://www.nysba.org/ to see upcoming events,
access section publications, blogs and much more.
NEW YORK STATE BAR ASSOCIATION, ONE ELK STREET, ALBANY, NY 12207 • PH: (518) 463-3200 FX: (518) 487-5517
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